Thursday, 30 April 2026

Lewis Cavinue reflects on Weird Economies

As Event Production Assistant during the Weird Economies x Scotland event series, I encountered new way of engaging with questions around economics, social structures, and collective experience, prompted by Bahar Noorizadeh’s practice.


To owe is to belong within a network of mutual reliance

I’ve stopped approaching debt as just money you owe someone and began seeing it as something that exists in all parts of life. It is not always caused by one clear origin or instigator but exists in the way people depend on each other. Debt can mean obligations to family, society, history, and the people who support us. But we also inherit these responsibilities. Because of this, I think less about debt as a financial issue and more as a human condition shaped by trust, and what we owe each other. 

As Kodwo Eshun prompted at the opening of ‘The Debtor’s Portal’, to paraphrase “there is a need to rethink ourselves out of individualism and into complex expansive forms of collective readiness and organising ourselves for the future.”


In the Practice of Solidarity

If to owe is also to belong within a network of mutual reliance, then solidarity becomes the practice of sustaining that network. It moves beyond the idea of shared belief and becomes something material; built through action, repetition, and the willingness to remain present. Solidarity is achievable in theory, but much harder to maintain in moments where capacities of labour are already stretched. Care, support, and collective responsibility require time, energy, and emotional endurance, all of which are often unevenly distributed. The absence of showing up is becoming increasingly visible, as conditions are taken for granted and solidarity becomes difficult to sustain without exhausting those who continually try to rally others to participate. We don’t exist solely in statements or intentions, but rather in our persistence through these often unremarkable and labour-intensive periods where support is most needed. It’s in this where I have become more evidently aware of the power in showing up.

Through this exhibition and event series, my understanding of solidarity deepened, leading me to recognise that it is something that must be constructed deliberately. Community is rarely spontaneous; it is formed through acts of care, patience, and accountability. In this way, solidarity becomes a material condition that allows collective presence to sustain.


An appreciation of space

It is within this sense of presence that I leave my gratitude to Cooper Gallery, both as an organisation and as a community. Through the programme’s continued persistence in creating space for new ways of thinking and critical discourse, it has opened my attention to future possibilities in the production of knowledge, dialogue, and collective engagement. To the connections built, the people worked with and the events we can so proudly say we accomplished, I am very thankful to have had this experience.



Hosting an exhibition tour with Boomerang Community Centre, Cooper Gallery, 2026
Watching Bahar Noorizadeh, Free to Choose Free, 2023
Photo by Lewis Cavinue

Rehearsal for live performance, Reuter in Tehran, 11 April 2026
(L-R) Intibint (CDJ and vocals), Lewis Cavinue (Live captions), Bahar Noorizadeh (Director, script writer, visuals and reader)
 Photo by Peter Amoore

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Reflection by Lewis Cavinue, working as Event Production Assistant, Cooper Gallery on Weird Economies X Scotland, a series of events co-curated with Noorizadeh running along her exhibition The Debtor's Portal, February - April 2026.
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Lewis Cavinue is a Dundee-based artist, producer and curator
https://lewiscavinue.co.uk/

Monday, 20 April 2026

Lewis Cavinue reflects on 'A Season of Peace Building'


“To produce is not only to do, but to sense”

Behind the scenes, I became aware of a delicate choreography, one that aims to feel effortless even when it is anything but. Timing, setup and response; these move with a constant rhythm, a quiet negotiation. A sound cue slightly off, a shift in seating arrangement, a delayed arrival; each small ripple demands recalibration. Practical logistics and creative intuition are inseparable here. To produce is not only to do, but to sense. Reading a room in anticipation of the need for audience and artwork to deliver a desired experience. It is a practice of quiet attention, where the invisible becomes essential.

 

In Relation to an Engaged Community: Being Together

The exhibition and event series insisted on presence and shared attention. “Being together” was not a goal to complete, but a practice to inhabit. These encounters made me aware of how space, guidance, and care shape engagement. My labour became part of a wider network that enables communities to gather, converse, and reflect. Small acts supported collective attention. It takes the permission and sometimes a prompt for these connections to form between people, moments, and ideas. Until putting this into active practice, I don’t think I had fully understood the weight of togetherness.

 

In the Mindset of Curation

Even while working in production, I found myself observing through curation. Event curation is saturated. How audiences move and how attention is held. Where stillness might give shape or depth. Where creating a threshold prompts an action, like removing your shoes to enter the gallery space. All of these are carefully considered aspects. Arranging, adjusting, and facilitating becomes more than an operational task; they become ways of shaping experience. It’s about shaping not only what is seen, but how it is activated and received.

 

On the Ever-Present Nature of Historical Acts of Resistance

History was never fixed or static. With Compassionate Rebels in Action, the past was foregrounded as a set of living questions pressing into the present. The exhibition offered a vantage point on how legacies of social, political, and artistic organising inform contemporary action. Every conversation, performance, and event became a negotiation with time, shaping how audiences reconsider, and carry history forward. Resistance and reflection were not only remembered, but they were also enacted here and now, collectively.

Resistance is never absent; it continues to pulse through the present, alive and demanding attention. It becomes difficult not to feel a responsibility to sustain spaces where such histories can speak, challenge, and insist on being heard. Likewise, understanding does not arrive fully formed. Instead, it unfolds through a self-reflective process. Considering how Grace’s ideas resonate with me amplified this connection of the past to the immediacy of today.

 

Do We Operate the Organisation, or Do We Operate Because of It?

This question lingers across my mind every day. The organisation provides frameworks and patterns of how it’s been done, but the lived reality of an exhibition emerges through the presence of those sustaining the organisation. Labour gives shape to what the organisation represents, just as the organisation structures the conditions of that labour. To inhabit both is to experience a mutual dependency. Each undertaking contributes to a living institutional ecosystem where people and organisation are inseparable. But I’m still not sure what comes first; the organisation or the people?




Designing Together COVERSLUT©
Workshop facilitated by Rachel Siobhán Tyler at V&A Dundee, 30 October 2025
Photo by Lewis Cavinue, courtesy Cooper Gallery


ONWARD!
70th annual Flaherty Film Seminar hosted by LUX Scotland at Cooper Gallery, 27 November 2025
Photo by Erika Stevenson, courtesy LUX Scotland


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Reflection by Lewis Cavinue, working as Event Production Assistant, Cooper Gallery on Grace Ndiritu's series of events A Season of Peace Building September - December 2025. 

A Season of Peace Building was programmed with Grace Ndiritu for The Ignorant Art School: Sit-in Curriculum #5. A series of conversations, workshops and gatherings which were designed by Grace Ndiritu, drawing on her book Being Together: A Manual For Living as a template and accompanying her exhibition:

The Ignorant Art School Sit-in #5
Grace Ndiritu | Compassionate Rebels in Action
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Lewis Cavinue is a Dundee-based artist, producer and curator
https://lewiscavinue.co.uk/