Tuesday, 21 July 2015

CURRENT|不合时宜 Artist in Residence Anne-Marie Copestake reflects on her residency in Zhujiajiao

We're now half-way through Phase One of CURRENT |不合时宜: Contemporary Art From Scotland at Shanghai Himalayas Museum and so we invited Artist in Residence Anne-Marie Copestake to reflect on her residency at Shanghai Himalayas Museum's residency venue Zhujiajiao Art Museum in the watertown of Zhujiajiao. 

Throughout July, Glasgow-based artist Anne-Marie Copestake is Artist in Residence. Copestake is an artist who works with moving images, sound, performance, text, print, and sculpture. Fundamental to her practice is the exploration of language, in the form of printed artworks, texts, explorations of construction through lyric forms and scripts. Copestake often works collaboratively and has been a founding member of two long-term collective projects in Glasgow: Poster Club and Muscles of Joy.

Here Copestake reflects on the development of her works and her collaborations with local artists and experimental musicians while staying in Zhujiajiao Town... 

Strings Awu and Huang Jun replace strings and tune up the Guzheng. The tuning was explained to me in this way - Do, Re, Mi, So, La are present, and Fa and Ti are missing. But it has mostly been played during our sessions in untraditional ways, with various bows, keys, strips of cardboard, and sticks.

Jia Zhangke
I've been finding out more about the work of Jia Zhangke, from short clips and from talking to people. We watched a few of his films, 'Still Life', and 'The World'. 

Trying sounds
A local bar have kindly offered for me to come and use their drums whenever I like, during their opening hours from 10am to 10pm. I asked if it wouldn't disturb their customers, as it is peak tourist season, but they responded by saying I could go every day if I liked. I cannot imagine that someone warming up on drums would be much fun while you're trying to have lunch, so I first went along during the typhoon thinking it would be empty, and attempted to play as softly as possible to not disturb the CD that was playing. The only others in that day were a woman dozing in a chair, who occasionally gave me big smiles, and a wee boy playing next to her.

‪In the next few sessions Huang Jun and his friends brought other instruments along, the CD's were switched off, and a shifting line up of friends from the town have appeared to play and try out various combinations of sounds.

Dress up shop 
There are several dress-up shops in Zhujiajiao Town. There are rails of costumes, props, hair and make-up, a back-drop, and then more props are positioned at choice views in the street. You choose a classic look from the range of looks available,  and the preparations are then made for your transformation and final photograph.

Bamboo ceramic Balusters 
Zhujiajiao has a number of large gardens for visitors to see, gardens laid out according to particular Chinese landscaped styles. The photograph details ceramic bamboo parts on a staircase on a small pavilion in one garden. At the top of the stairs was a decorated room with wax figures, representing an original resident of the house and garden having tea with his friends.

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CURRENT |不合时宜 : Contemporary Art from Scotland
Phase One | Artists & Writers in Residence

In addition to the CURRENT |不合时宜 Phase One exhibitions, three residencies take place during the Phase One exhibitions in June/July 2015 at Shanghai Himalayas Museum’s Residency Venue Zhujiajiao Art Museum located at Zhujiajiao town, a picturesque watertown in the southeast of Shanghai.

Immersed in the historical, social and cultural context of China, the residencies enable the artists and writer to interact with contemporary art communities in the region. This unique experience will open up new positions, ideas and creative approaches for the artists and the writer, which will be shared with artists, writers and audiences in Scotland through a special programme at Cooper Gallery on their return. 

From 28 June – 5 July, Poster Club members Ciara Phillips, Michael Stumpf, Nicolas Party and Anne-Marie Copestake will undertake a week-long residency to recalibrate the group’s ideals “to make posters and to collaborate”, throughout July Glasgow-based artist Anne-Marie Copestake will be in residence and developing her work with local musicians in Shanghai, then from 15 – 31 July, art writer and member of Cooper Gallery’s Group Critical Writing initiative, Frances Davis will be the Art Writer in Residence, reflecting and annotating upon CURRENT |不合时宜 in Shanghai. 

Find out more about the Phase One CURRENT Artists & Writers Residencies programme on our website.

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CURRENT|不合时宜: Contemporary Art From Scotland is open at Shanghai Himalayas Museum until 9 August 2015. For more information visit our website.

Wednesday, 1 July 2015

Next Week/// Cooper Summer Residency 2015: THINGNESS?

Cooper Summer Residency 6–31 July 2015


For the 2015 edition of Cooper Summer Residency, we are delighted to host Glasgow-based artist Oliver Braid and Lyon-based artist Anouchka Oler, as well as Edinburgh-based philosopher, Joseph Fletcher. The artists’ practices investigate Object-Oriented Ontology and each will consider this philosophical phenomenon through the theme of thingness? during the residency. Cooper Summer Salon will be held once a week during the residency to amplify the making and thinking through conversations with the audience. 

Anouchka Oler, still from The Mother, the Monster and the Witch #1, (Voices will find their bodies), video, 2014. Courtesy of the artist.

Glasgow-based artist Oliver Braid’s practice explores definitions of objects, from their objecthood to their subsequent social application, through experimental collaborative and curatorial compositions. His artworks and curated projects are influenced by an aleatoric sensibility uncovered under popular 21st century thinking; observations of Objects wandering with Well-being. 

Oliver Braid, Communal Dolphin Snouting, Transmission, Glasgow, 2013. Credit: Andrew McCue  
Lyon-based artist Anouchka Oler’s work often starts with materiality; the thingness of functionless forms, the materiality of language. Oler’s role is frequently made visible in relation to these forms; within her time-based pieces she performs characters that set into narratives, sculptures and objects, be it her own material production, or ones that have entered a history of cultural production. 

                                         Anouchka Oler Image taken from the video IRMA, 2015, 23

Edinburgh based philosopher Joseph Fletcher will join the residency as a third voice to place reflexivity at the heart of the residency.

Throughout the residency, we will host weekly salons here at Cooper Gallery where you are invited to join us and engage with the artists as they explore new avenues for their practices. This is a unique opportunity to gain an insight into the artists' processes, areas of research and influences, in an informal setting. Cooper Summer Salons will take place at 12.30–1.30pm on Wednesdays throughout the residency (8, 15, 22, 29 July) and we encourage visitors to drop in at any time during the hour.

For more information about Cooper Summer Residency 2015, visit our website.